Yearly Archives: 2012

Carpet Motifs: A Beginner’s Guide

Dragon, crab, or roast chicken?

Nisha’s instruction was clear and simple: go and look for Caucasian rugs. My search led me to the warehouse of Memet Bozbay, an affable Kurdish carpet trader, whom I had led to believe that I was a professional buyer. He pulled out heaps of Armenian, Kurdish and Kazak rugs, many characterised by bold colours, high piles, and unusual motifs. Gesturing to one of them he commented, “And here, again, you can see the typical Caucasian dragon motif.”

I scanned the carpet’s field expecting to find a flamboyant dragon spewing fire, but I couldn’t make out anything at all resembling a dragon or a serpent. In the centre of the carpet there was, however, an interesting form that appeared somewhat insect-like. “You mean this thing in the middle that looks like a cockroach?” I asked innocently. The dealer gave me a puzzled look and hesitated to respond—he must have been struggling to

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Tribal Carpets

"Wild Story" Gabbeh

Tribal carpets are almost the opposite of what one may visualize when they think of a carpet. They are abstract. They are spontaneous. They are naïve. They break rules. And most of all, they are personal expressions of the weavers, straight from the heart! Those from nomadic groups in particular are a fantastic potpourri of many diverse ethnicities, tribal lifestyles and indigenous customs.

There is no defined picture that the weaver is copying from… the picture is in the weaver’s heart, which slowly emerges and takes shape on warps strung around a makeshift loom, wefted and knotted in a colourful collage, one single row at a time! A small six by four foot carpet may have tens of thousands of knots and may take months (and sometimes years) to create. Patience and tenacity are two critical virtues each weaver had to be able to create such fantastic art! The end

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Fergana Valley: Ceramic, Ikat and Shavla

Rustam Usmanov and his wife

I travelled to Rishtan to see the ceramists who did the platters for me last year. It was bitterly cold and Rustam and his wife were very gracious, kept us warm (don’t miss their gorgeous home slippers!) and well fed while we worked on my order. The shavla – porridge version of plov – we had for lunch was delicious and Zahid and I tucked in. We couldn’t say no when Alisher invited us to lunch later so had to eat again! Tough job this!! I am amazed by how much time and effort Rustam and Alisher make for me. They are world renowned ceramists who earn very well doing exhibitions in the US, Europe and Japan and my orders pale in comparison.

The discussion at lunch moved to the size of the Indian market and the buying power of the middle

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The Tashkent Zoroastrians

Aktepa Yunus-Abad

I met Rustam Abdukamilov this morning. He claims to be a Zoroastrian, a scholar of the Avesta book and language, and a teacher of Zoroastrian history in public schools around Tashkent. Rustam is 53 years old, frugally dressed and wears a blue baseball cap with an Asho Farohar (the ubiquitous winged angel) printed on it. His English is fairly good, I suspect better written than spoken. But when he talks of Ahura Mazda, he is eloquent. Not in a flashy, oratorical way, but in a simple, deeply felt, intellectual manner. From what I understood, his father was a storyteller, a kind of bard who would recite the poetry of Ferdowsi’s epic Shahnameh in public gatherings. Watching his father, he too memorized the 60,000-odd verses that chronicles the legends and histories of Iranian (Aryan) kings in Persian. It was through these

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