Tag Archives: tian shan mountains

Fergana Valley: Ceramic, Ikat and Shavla

Rustam Usmanov and his wife

I travelled to Rishtan to see the ceramists who did the platters for me last year. It was bitterly cold and Rustam and his wife were very gracious, kept us warm (don’t miss their gorgeous home slippers!) and well fed while we worked on my order. The shavla – porridge version of plov – we had for lunch was delicious and Zahid and I tucked in. We couldn’t say no when Alisher invited us to lunch later so had to eat again! Tough job this!! I am amazed by how much time and effort Rustam and Alisher make for me. They are world renowned ceramists who earn very well doing exhibitions in the US, Europe and Japan and my orders pale in comparison.

The discussion at lunch moved to the size of the Indian market and the buying power of the middle

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Day 5 – Snow in Tashkent!

Nisha outside the Grand Orzu in Tashkent

In the call of duty Nisha has not only traveled to faraway lands but she’s also braved heat, dust, snow, frozen extremities, alien food – all in the search for exquisite crafts.

On our way back from Fergana to Tashkent, Nisha decided to visit a medressa in Kokand known to host workshops of the old masters. We stepped out of our car only to get lashed by icy winds. The bleak grey skies did not dampen her enthusiasm. Bundled up from head to toe, she checked every workshop and quizzed the masters.

When we first traveled through the Tian Shan mountains, it was a bright clear day with glorious views of the ranges. On our way back from Fergana, the pass was all fogged out and the mountains were brilliant white! We came back to a snowy white Tashkent – this was

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Day 2: To the Fergana Valley

Kamchik Pass, Tian Shan Mountains

We left Tashkent this morning to drive to the Fergana valley. On our way, we dropped in at a contemporary ceramist’s studio. Over tea with macaroons and biscuits, he explained how his grandfather – a well known ceramist – had dedicated his life to documenting traditional motifs and ceramic techniques. Sections of his handwritten diaries could be seen in the family’s private gallery. This young man started learning from his grandfather when he was six years old. He said grandparents are more patient than parents! His own father is a renowned ceramist and had exhibited around the world. As we stepped into their gallery, we were introduced to many styles of ceramics – the Tashkent style, Steppe style, contemporary designs inspired by embroideries, traditional blue pottery and more. This ceramist clearly loved his work, spoke at an unhurried pace, and was rather tolerant as we gushed over his pieces.

We headed out to

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